Who am I? What is real? How to live in the madness of the world? These are questions posed by six people who have had psychosis and speak openly about their experience. They have in common that they think deeply, and that at particular moments in their lives, they were under intense personal and social pressure. 　　The Desert of the Real draws the viewer into their lives before the pivotal events, the psychosis itself, the intensive treatment and the road to recovery, in full awareness that what has occurred cannot be undone. The unguarded and emotional interviews, conducted in their familiar surroundings, are interspersed with staged situations that evoke the interviewees’ experiences of being in a reality that is manipulated, as if in a movie. 　　The film offers a clear perspective on what it’s like to have psychosis, while also raising questions about how we, as a society, treat one another. One the six offers their view on psychosis as “A normal response to a completely crazy and disturbed society.”

A reality series that gives an exclusive look and follows the lives of unique, interesting and dynamic women from London and their lavish lifestyles.

Take a pilgrimage across the Holy Land as we explore the life of Jesus of Nazareth, separating history from legend.

An exclusive look into the glamorous galas, scintillating scandals and enormous egos of a group of women as they navigate the social scene of Dallas’ elite, all while juggling their husbands, boyfriends and families.

Bravo's cameras turn to the Southern states as the network presents this inside look at the Real Housewives of Atlanta. These women handle the personal dramas that affect their affluent lifestyles with a signature Southern brand of “style” and “grace.”

Just up the river from our nation’s capital lies a hidden gem—Potomac, Maryland. Its rolling hills, gated mansions, sophisticated prep schools, and exclusive country clubs all serve to keep the area invitation-only. Sprinkled throughout this community are a handful of old-line, wealthy African-American families who have historically broken racial barriers to provide a life of privilege for their children. In a town where entry is granted only through class, pedigree, and lineage, how far will the ladies go to secure their spot at the top of this prestigious circle?

Six of the most influential and connected women live life to the fullest in the sunny city where both the party and the drama never stop.

The Real is an American talk show that is hosted by Tamar Braxton, Loni Love, Adrienne Bailon, Jeannie Mai and Tamera Mowry-Housley. The series debuted on July 15, 2013, and airs in seven Fox owned markets: New York, Los Angeles, Washington D.C., Philadelphia, Phoenix, Houston and Tampa. The Real completed its four week summer in 2013. If approved by Fox, the series will receive a nationwide syndicated launch in 2014. In 2016, it was announced that Tamar Braxton would depart from the series due to her deciding to focus on her music career and to still be on Braxton Family Values.

The Real is an American talk show that is hosted by Tamar Braxton, Loni Love, Adrienne Bailon, Jeannie Mai and Tamera Mowry-Housley. The series debuted on July 15, 2013, and airs in seven Fox owned markets: New York, Los Angeles, Washington D.C., Philadelphia, Phoenix, Houston and Tampa. The Real completed its four week summer in 2013. If approved by Fox, the series will receive a nationwide syndicated launch in 2014. In 2016, it was announced that Tamar Braxton would depart from the series due to her deciding to focus on her music career and to still be on Braxton Family Values.

In 2016, Edgar Pêra released The Amazing Spectator, a playful investigation into cinema’s disquieting essence that had everything from negative film images of boobs and positively splendid interviews to a donkey hand puppet. The film and an accompanying book formed his PhD thesis. But as so often with him, projects turn into obsessions – especially when there are masses of notions not pondered, thoughts not elaborated upon. And so KINORAMA - Beyond the Walls of Cinema was born, a stand-alone continuation of The Amazing Spectator that looks at cinema’s future in cyberspace and, accordingly, perhaps the end of its enslavement to figurative representation, the 'stupid sacred in narrative cinema' (to use a Pêra’ism), realism and artificiality in 3D cinema, and many other aspects.